Removed from the Crowd: Unexpected Encounters 1

publishers: [BLOK] | Lokalna baza za osvježavanje kulture i DeLVe | Institut za trajanje, mjesto i varijable

editors: Ivana Bago i Antonia Majača u suradnji s Vesnom Vuković

authors: Ivana Bago & Antonia Majača, Lucian Gomoll & Lissette Olivares, Aleksandra Jach, Miguel A. López, Nataša Petrešin-Bachelez, Edit Sasvári, Alina Serban, Mara Traumane, Vesna Vuković

design: Rafaela Dražić

language: English

year: 2012

price: 20 €

Bringing together newly commissioned essays predominantly from an emerging generation of researchers and writers, this reader focuses on conceptual and experimental artistic, curatorial and institutional practices that have rarely or never been brought into relation with potential parallels outside their respective context, in this case Latvia, Slovenia, Croatia, Hungary, Chile, Peru, Poland and Romania. It does not strive for the formulation of a structured narrative of theses and conclusions, nor is it imagined as a review of practices determined by their ‘peripheral geographies’. Rather, while seeking to avoid already established analogies and references it becomes a call for a microanalysis. The result is an experiment in which comparative readings can be formed through potentially unexpected and revealing ‘encounters’. The aim is not to merely ‘fill in’ the existing art historical narratives with what has been left out (i.e. illustrate the canonical production of the center by its corresponding ‘echo’ in the periphery), but to make an intervention into the very order of discourses that shape the dominant histories of contemporary art. What is discussed in Removed from the Crowd: Unexpected Encounters I are exactly those practices that were themselves in search of new methodologies, exploring the interstices between the collective and individual, private and public, action and escapism, art and non-art, artist and curator, nature and urban space, the visible and the invisible. Many of them were taking place in private spaces, in solitude, in nature, or camouflaging themselves as non-art, as part of everyday life, a protest, a crowded street, radically redefining or ignoring the idea of audience. They rather counted (consciously or not) on ‘an audience to come’ and so could be said to have been meant for the future. The art historians invited to contribute to this book are thus today their ‘delayed public’, approaching these phenomena from both historical and contemporaneous perspectives, shaped by their own preoccupations and urgencies.

The book can be ordered at [BLOK] and DeLVe:
Biankinijeva 3a
HR – 10000 Zagreb


Vukovarska 224
HR – 10000 Zagreb